WRYLIES (she wryly mentions)…Avoid using them.
“Wrylies” are the name given to those parenthetical phrases that come between a character and his/her dialog.
They are sometimes used by a writer in an effort to tell the actor how to say the line. This is never, ever a reason to use a Wryly.
Telling the actor how to say a line is not the writer’s job; it’s the director’s.
Example of what not to do:
SAM
(wryly)
Yeah, I bet.
Besides, your writing should have already communicated exactly what the talking character’s emotional state is.
If you need a Wryly to accomplish that, there is something mightily wrong and you need to rework the piece, not add a Wryly.
A Wryly can be used when there are more characters in the scene – Bob, Chuck, Lily and Shannon – and you want to let us know which specific character the talker is talking to –
SAM
(to Bob)
Yeah, I bet.
Or a Wryly can be used, rarely, rarely, rarely to tell the manner in which a character is speaking. And if that’s the case, use a Wryly ONLY if it’s not obvious by what’s happening in the scene.
SAM
(shouts)
Yeah, I bet.
Again…the screenwriting mantra comes into play… “Show Don’t Tell.”
When a writer uses Wrylies to communicate his characters’ emotional conditions and/or in an effort to tell the actors how to deliver their characters’ lines, that writer is telling not showing.
If a writer has to use more than one or two wrylies in a screenplay the overall writing style and character development is not conveying what it needs to.
I’m liking your writing tips so far. This was a handy one. It’s hard to know if reader is on board with the story and characters sometimes. So I don’t know if wrylies are needed in those situations. I like your advice though. Use them when it is not obvious emotion has shifted in conversation. Thanks.
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Your welcome, Dan. Thanks for the comment!
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